{"id":3069,"date":"2010-10-17T07:35:38","date_gmt":"2010-10-17T14:35:38","guid":{"rendered":"http:\/\/blackcatbooks.com\/?p=3069"},"modified":"2021-10-01T09:13:49","modified_gmt":"2021-10-01T16:13:49","slug":"joan-mitchell","status":"publish","type":"post","link":"https:\/\/blackcatbooks.com\/wordpress\/archives\/joan-mitchell\/","title":{"rendered":"FEATURED: JOAN MITCHELL"},"content":{"rendered":"

Joan Mitchell <\/span>(1926-1992) was one of the few women artists accepted among the Abstract Expressionists. She expanded upon the visual language of New York artists including her mentor Willem de Kooning. She outpaced all but a handful of her male mentors and counterparts. Although well regarded by critics, fellow artists, and the general public, Mitchell’s achievement has never received full recognition. In 1955, Mitchell moved to France to join Canadian painter Jean-Paul Riopelle, where she continued to paint until her death in 1992. John Ashbery called her ” …a tough lady, a hard drinker, hard on her friends and harder on herself”.<\/p>\n

Description:<\/strong> Hard bound with dust jacket. Yellow cloth with blue titles.\u00a0 14 color plates. Essay by John Ashbery. Exhibition catalog containing the artist’s last works before her death at the age of 66. Some minor bowing to boards, otherwise very good. Interior clean and binding tight.<\/p>\n

Bookseller Inventory #<\/strong> 23711<\/p>\n

SOLD<\/span><\/p>\n

Joan Mitchell 1992<\/strong><\/em>
\nAshberry, John<\/p>\n

ISBN:<\/strong> 0944680445
\nPublisher:<\/strong> Robert Miller Gallery, New York
\nPublication Date:<\/strong> 1993
\nBinding:<\/strong> Hard Bound
\nBook Condition:<\/strong> Very Good
\nDust Jacket Condition:<\/strong> Very Good<\/p>\n

Description:<\/strong> Hard bound yellow cloth with title in black on spine, in dust jacket as issued. Pristine with interior clean and binding tight. 204 pages with 127 illustrations, including 120 colour plates. A very nice copy of a sought after monograph.<\/p>\n

Bookseller Inventory #<\/strong> 18452<\/p>\n

\"0joanmitchell\"<\/p>\n

SOLD<\/span><\/p>\n

Joan Mitchell<\/em><\/strong>
\nKertess, Klaus<\/span><\/p>\n

ISBN:<\/strong> 0810942976<\/span>
\nPublisher:<\/strong> Abrams<\/span>
\nPublication Date:<\/strong> 1997<\/span>
\nBinding:<\/strong> Hard Bound<\/span>
\nBook Condition:<\/strong> Near Fine<\/span>
\nDust Jacket Condition:<\/strong>Near Fine<\/span>
\nEdition:<\/strong> First Edition<\/span><\/p>\n

Description: <\/strong>Small staple bound catalog published on the occasion of the October 23, 1998 exhibition held by the Danziger Gallery in new York. Barny Rosset was a well know publisher and Joan Mitchell’s first husband. The exhibition catalog shows some minor wear to wrappers, otherwise very good.<\/p>\n

Bookseller Inventory #<\/strong> 14459<\/p>\n

\"joanmitchell10201\"<\/p>\n

SOLD<\/span><\/p>\n

Photographs of Joan Mitchell By Barney Rosset<\/em><\/strong><\/p>\n

Publisher:<\/strong> Danziger Gallery
\nPublication Date:<\/strong> 1998
\nBinding:<\/strong> Paperback
\nBook Condition:<\/strong> Good<\/p>\n

Book Description:<\/strong> Hard bound art exhibition catalogue published on the occasion of opening of the June 18, 2002 exhibition and in honor of the Joan Mitchell Retrospective at the Whitney Museum of American Art, New York. A nice copy, bright and clean.<\/p>\n

Bookseller Inventory #<\/strong> 17659<\/p>\n

\"0joanmitchell2\"<\/p>\n

SOLD<\/span><\/p>\n

Joan Mitchell : Selected Paintings 1956-1992 The Presence of Absence<\/strong><\/em>
\nKernan, Nathan<\/p>\n

Publisher:<\/strong> Cheim & Read
\nPublication Date:<\/strong> 2002
\nBinding:<\/strong> Hard Cover
\nBook Condition: Very Good
\nDust Jacket Condition: <\/strong>No Jacket, As Issued<\/p>\n","protected":false},"excerpt":{"rendered":"

Joan Mitchell (1926-1992) was one of the few women artists accepted among the Abstract Expressionists. She expanded upon the visual language of New York artists including her mentor Willem de Kooning. She outpaced all but a handful of her male mentors and counterparts. Although well regarded by critics, fellow artists, and the general public, Mitchell’s […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[105],"tags":[102],"class_list":["post-3069","post","type-post","status-publish","format-standard","hentry","category-recently-sold","tag-art"],"_links":{"self":[{"href":"https:\/\/blackcatbooks.com\/wordpress\/wp-json\/wp\/v2\/posts\/3069","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blackcatbooks.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blackcatbooks.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blackcatbooks.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blackcatbooks.com\/wordpress\/wp-json\/wp\/v2\/comments?post=3069"}],"version-history":[{"count":89,"href":"https:\/\/blackcatbooks.com\/wordpress\/wp-json\/wp\/v2\/posts\/3069\/revisions"}],"predecessor-version":[{"id":15209,"href":"https:\/\/blackcatbooks.com\/wordpress\/wp-json\/wp\/v2\/posts\/3069\/revisions\/15209"}],"wp:attachment":[{"href":"https:\/\/blackcatbooks.com\/wordpress\/wp-json\/wp\/v2\/media?parent=3069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blackcatbooks.com\/wordpress\/wp-json\/wp\/v2\/categories?post=3069"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blackcatbooks.com\/wordpress\/wp-json\/wp\/v2\/tags?post=3069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}