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Gerhard Richter has never committed himself to one artistic style. He began working with artists such as Sigmar Polke and Georg Baselitz. Their work, and Richter’s in particular, began to have an impact in Germany, and eventually international art circles. Richter’s beliefs are credited with refreshing art and rejuvenating painting as a medium during a period when many artists chose performance and ready-made media. Together with Polke and Fischer-Lueg, Richter formed a group called the Capitalist Realists. The Capitalist Realists were satirical, often deriving subject matter from print media. Richter began to see art as something that had to be separated from art history; he believed that paintings should focus on the image rather than the reference, the visual rather than the statement.
Description: 3 hard bound volumes with dust jackets in publishers slip case, as issued. Catalog Raisonné – Complete Works Volume #1 Katalog der Ausstellung / Exhibition Catalogue, by Suzanne Page. Profusely illustrated in color and b&w. Published on the occasion of a travelling exhibition originating at the Musée d’Art Moderne de la Ville de Paris September 23 – November 21, 1993. 195 pages with text in German, English & French. Volume #2 Texte, by Benjamin H.D. Buchloh, Peter Gidal and Birgit Pelzer. Interview with the artist. 112 pages with text in German only. Volume #3 Werkubersicht, Catalogue Raisonne 1962-1993, Catalogue Raisonne of works between 1962-1993. Biography, Solo and Group Exhibition history, Selected Texts., Selected Films, 234 pages with text in German, English & French. Some minor shelf wear to publishers slip case. Upper edge of slipcase with one small tear to paper, otherwise fine. RARE!
Gerhard Richter: Catalogue Raisonne 1962-1993 (3 volumes)
Richter, Gerhard
SOLD
· Category: Sold ·