Joan Miró was among the first artists to develop automatic drawing as a way to undo previous established techniques in painting, and thus, with Andre Masson represented the beginning of Surrealism as an art movement. However, Miró chose not to become an official member of the Surrealists in order to be free to experiment with other artistic styles without compromising his position within the group. He pursued his own interests in the art world, ranging from automatic drawing and surrealism, to expressionism and color field painting. Spanish painter, whose surrealist works, with their subject matter drawn from the realm of memory and imaginative fantasy, are some of the most original of the 20th century. Miró was born April 20, 1893, in Barcelona and studied at the Barcelona School of Fine Arts and the Academia Galí. His work before 1920 shows wide-ranging influences, including the bright colors of the Fauves, the broken forms of cubism, and the powerful, flat two-dimensionality of Catalan folk art and Romanesque church frescoes of his native Spain. He moved to Paris in 1920, where, under the influence of surrealist poets and writers, he evolved his mature style. Miró drew on memory, fantasy, and the irrational to create works of art that are visual analogues of surrealist poetry. These dreamlike visions, such as Harlequin’s Carnival or Dutch Interior, often have a whimsical or humorous quality, containing images of playfully distorted animal forms, twisted organic shapes, and odd geometric constructions. The forms of his paintings are organized against flat neutral backgrounds and are painted in a limited range of bright colors, especially blue, red, yellow, green, and black. Amorphous amoebic shapes alternate with sharply drawn lines, spots, and curlicues, all positioned on the canvas with seeming nonchalance. Miró later produced highly generalized, ethereal works in which his organic forms and figures are reduced to abstract spots, lines, and bursts of colors.

Description: Hard bound with dust jacket. First printing of the French edition with 11 ORIGINAL FULL COLOR LITHOGRAPHS, including 5 double page printed by Mourlot, Paris. 233 pages. Text in French. Cream cloth boards with title in black on spine edge. FOLD OUT LITHOGRAPH DUST JACKET in protective Brodart cover. RARE!.

Bookseller Inventory # 20795

$650

Joan Miro Lithographies
Leiris, Michel  &  Mourlot, Fernand

Publisher: A. C. Mazo
Publication Date: 1972
Binding: Hard Bound
Book Condition: Near Fine
Dust Jacket Condition: Near Fine
Edition: First Edition

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